WE ARE ARCHIVES, WE ARE MAPS

An exhibition by Maxie Fischer.

The exhibition shows analogue and digital black-and-white photographs. Originated in situations of everyday life and departure, they show special moments, fragments and details, quiet and sensitively observed. Although the photographs were taken in different places all over Europe, they show recurrent, familiar scenes somewhere in between documentary, narration and portrait photography. On display are about 15 works ranging from hand prints, fine art prints to silver gelatine prints.Maxie Fischer is a photographer living and working in Berlin.Duration of the Exhibition: 1/05/2014 – 13/05/2014
Opening Hours: Tue-Sat 12:00 – 22:00Vernissage
30/04/2014, 20:00 UhrFinissage
13/05/2014, 20:00 Uhr
Accompanied by a concert of Feral and Stray

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MORE EVENTS AT PANKE

Tue25Nov

panke.gallery Sound Night 16

Winter is coming, and so is our panke.gallery Sound Night! Escape the gray and join us for a curated evening of live music. Our four acts range from noise to indie folk. We’re excited to see you there!

M

Tue25Nov

The event takes place on the 25th of November starting at 20:00:00.

Winter is coming, and so is our panke.gallery Sound Night! Escape the gray and join us for a curated evening of live music. Our four acts range from noise to indie folk. We’re excited to see you there!

Dea Karina is an Indonesian Berlin-based multimedia artist wielding synthesizers, pedals, loopers, and drum machines to forge dense drone/noise/acid soundscapes. Primarily focused on live performances, they also explore the intersection of sound with painting, intermedial processing, and haptic devices for installations.

Fetter makes clubby self-destructing noise pop to dance and weep to. Oscillating between ethereal and pounding, their all-hardware, largely improvised live sets take listeners through a foggy wilderness of saturated rhythms and menacing synth lines, a golden voice guiding the way through. Fetter is the stage moniker of multimedia artist Jess Tucker. Their performances take place in clubs as well as galleries, often incorporating video, installation, and interactive performance art elements to create other-worldly surrounds of mesmerizingly unhinged bodies and faces.

Raised in New Jersey, the early memories of Mezzy Shivers are flooded with deciduous trees and murky rivers, pot-holed highways and flickering street lamps. Her media intake consisted of horror films, bubblegum pop, and fantasy books. As a result, discovering her work is akin to stumbling upon a dark and dreamy rabbit hole. Through the mediums of sound, collage, performance, and writing, Shivers creates an echoing realm of flashbacks and fantasy.

MSHR is an art collective that collaboratively builds and explores sculptural electronic systems. Their performances and installations integrate electrical signals and human presence, weaving dense networks of causality to form audiovisual environments that babble with life-like current. They explore intuitive and technical gradients between sonic and sculptural forms, using analog circuitry and open-source software to sculpt mutually resonant hyperobjects. MSHR was founded by Brenna Murphy and Birch Cooper in 2011 in Portland, Oregon. The name MSHR is a modular acronym designed to hold varied ideas over time. It can be pronounced as an acronym or like one who meshes.

Entry fee: dice roll (random between 2 and 12)