[English below]
Intersektionalität und Kulturarbeit: Musik und Talk.
Wir hören Musik und sprechen mit Menschen über ihre antirassistische und feministische Kulturarbeit. In persönlichen Gesprächen wollen wir die Bedeutung und den Einfluss von künstlerischer Arbeit bei die Überwindung sruktureller Ungleichheiten in der Gesellschaft sichtbar machen. Und dazu gute Musik hören.Am Donnerstag sind zu Gast:Gülin (Talk)
Gülin ist Musikproduzentin mit Einflüssen des R&B, Hip-Hop und Techno.
Ihre Musik und Projekte sind eng mit der Auseinandersetzung um Identität und ihren türkischen und arabischen Wurzeln verbunden – als Sängerin & Songwriterin der Band “Gülina”, im Projekt “RUSNAM” und als Projektleiterin von musikalischen Empowerment-Workshops, mit denen sie Mädchen und junge Frauen* aus Konfliktgebieten unterstützen.
Derzeit arbeitet sie mit verschiedenen BPoC-Musiker*inne zusammen an der musikalischen Performance “ctrl.xx.tension”. Ziel ist es, das Frauenbild in der Popmusik der 1990er und 2000er Jahre in den Songs zu dekonstruieren, um die Musik frei von Stereotypen und Diskriminierung neu zu gestalten.https://www.rusnam-music.com/aboutBFAN (DJ-Set)
Najib Blacky Abidi aka BFAN ist Musiker und DJ aus Tunesien. Er bewegt sich zwischen nordafrikanischen Songs und dem elektronischen Sound der Stadt.https://soundcloud.com/djo11-2Spoonman DJ (DJ-Set)
Löffelmann, Trommler und DJ – all das fließt ein in die eklektischen Sets von Claas Sandbothe aka Spoonman DJhttps://soundcloud.com/spoonmandj[English]
Intersectional work in culture. We gonna listen to music and talk to people about their antiracist/feminist cultural work. Through personal conversations we want to show the significance of artistic work in overcoming structural inequalities in society. And listen to some good music.On Thursday we have :Gülin (Talk)
Gülin is a music producer that draws from R&B, Hip-Hop und Techno.
Her music and projects are deeply connected to her dealing with her identity and her turkish and arabian roots – being the singer/songwriter of her band “Gülina”, her new house project “RUSNAM” or hosting empowerment workshops for girls and young women* from conflict zones.
At the moment she is working with different female* BPoC musicians on the musical peformance of “ctrl.xx.tension”. which aims to deconstruct the image of women in pop songs of the 1990’s and the 2000’s to reshape the music without stereotypes and discrimination.https://www.rusnam-music.com/aboutBFAN (DJ-Set)
Najib Blacky Abidi aka BFAN is a musician and DJ from Tunesia. His sets range from north african songs to the electronic sound of the city.https://soundcloud.com/djo11-2Spoonman DJ (DJ-Set)
Spoonman, Drummer and DJ – all that goes into the eclectic sets of Claas Sandbothe aka Spoonman DJhttps://soundcloud.com/spoonmandj
panke.gallery Sound Night 16
Winter is coming, and so is our panke.gallery Sound Night! Escape the gray and join us for a curated evening of live music. Our four acts range from noise to indie folk. We’re excited to see you there!
The event takes place on the 25th of November starting at 20:00:00.
Winter is coming, and so is our panke.gallery Sound Night! Escape the gray and join us for a curated evening of live music. Our four acts range from noise to indie folk. We’re excited to see you there!
Dea Karina is an Indonesian Berlin-based multimedia artist wielding synthesizers, pedals, loopers, and drum machines to forge dense drone/noise/acid soundscapes. Primarily focused on live performances, they also explore the intersection of sound with painting, intermedial processing, and haptic devices for installations.
Fetter makes clubby self-destructing noise pop to dance and weep to. Oscillating between ethereal and pounding, their all-hardware, largely improvised live sets take listeners through a foggy wilderness of saturated rhythms and menacing synth lines, a golden voice guiding the way through. Fetter is the stage moniker of multimedia artist Jess Tucker. Their performances take place in clubs as well as galleries, often incorporating video, installation, and interactive performance art elements to create other-worldly surrounds of mesmerizingly unhinged bodies and faces.
Raised in New Jersey, the early memories of Mezzy Shivers are flooded with deciduous trees and murky rivers, pot-holed highways and flickering street lamps. Her media intake consisted of horror films, bubblegum pop, and fantasy books. As a result, discovering her work is akin to stumbling upon a dark and dreamy rabbit hole. Through the mediums of sound, collage, performance, and writing, Shivers creates an echoing realm of flashbacks and fantasy.
MSHR is an art collective that collaboratively builds and explores sculptural electronic systems. Their performances and installations integrate electrical signals and human presence, weaving dense networks of causality to form audiovisual environments that babble with life-like current. They explore intuitive and technical gradients between sonic and sculptural forms, using analog circuitry and open-source software to sculpt mutually resonant hyperobjects. MSHR was founded by Brenna Murphy and Birch Cooper in 2011 in Portland, Oregon. The name MSHR is a modular acronym designed to hold varied ideas over time. It can be pronounced as an acronym or like one who meshes.
Entry fee: dice roll (random between 2 and 12)
