|•Feb 18th / 9pm till late•| at Panke Culture – 15€ tickets only at the door.
𝐌𝐚𝐢 𝐌𝐚𝐢 𝐌𝐚𝐢 (𝐥𝐢𝐯𝐞), 𝐖𝐢𝐬𝐞𝐜𝐫𝐚𝐜𝐤 (𝐥𝐢𝐯𝐞), 𝐏𝐫𝐢𝐧𝐜𝐞𝐬𝐬 𝐃𝐢𝐟𝐟𝐢𝐜𝐮𝐥𝐭 (𝐥𝐢𝐯𝐞), 𝐑𝐢𝐬𝐢𝐧𝐠 𝐃𝐚𝐦𝐩 (𝐥𝐢𝐯𝐞), 𝐒𝐚𝐢𝐧𝐭𝐞 𝐌𝐚𝐫𝐢𝐧𝐚, 𝐃𝐣 𝐃𝐢𝐞 𝐒𝐨𝐨𝐧, 𝐄𝐥𝐞𝐟𝐭𝐡𝐞𝐫𝐢𝐚 𝐛𝟐𝐛 𝐁𝐞𝐥𝐚, 𝐂𝐡𝐚𝐠𝐨
𝑴𝒂𝒊 𝑴𝒂𝒊 𝑴𝒂𝒊:
The first three LPs released as Mai Mai Mai have so far been named after characters drawn from the Greek alphabet, beginning with Theta (Boring Machines, 2013) and followed by Δέλτα (Delta) (Yerevan Tapes, 2014) and Φ (Phi) (Not Not Fun Records / Boring Machines, 2017) With each of these projects – subsequently anthologized as the ‘Mediterranean trilogy’ – Roman noise maven Cutrone has unloaded a venomous, punishing and miasmic electronic music, one that reached a climax of vivid, interzonal synthesis and scorched ritual on the trilogy’s final instalment Φ.
After those releases Mai Mai Mai continues to explore Mediterranean history yet does so with a different sense of ambition, with “Nel Sud” LP out on La Tempesta International (also home to Xiu Xiu, Ninos Du Brasil, Populous). A journey into the past of the Italian south, realized through original footage taken from Italian ethno-documentaries made during the 1960s and 70s, Nel Sud is intended as an original soundtrack and is mixed with sounds from the original films. With the new single “Il Secondo Coro delle Lavandaie” (The original was made by Roberto De Simone with Compagnia di Nuovo Canto Popolare and released in 1976, an iconic moment in southern Italian and neapolitan music) Mai Mai Mai looks again to the ‘South’, but this time encompasses an ethnic and folkloric tradition in a more contemporary way, conjuring a work in which art, music & theatre intersect.
The new album “Rimorso” is out on Maple Death Records
https://maimaimai.bandcamp.com/album/rimorso
𝑾𝒊𝒔𝒆𝒄𝒓𝒂𝒄𝒌:
Federico Campo and Francesco Manzato, the duo behind Wisecrack, came together in late 2018, to create music inspired mainly by bass and distortion, documenting city hallucination, suburban sprawls and urban isolation. Their first output ‘Flesh’ was included as a cut in Bristol’s Avon Terror Corps compilation ‘Avon Garde’, epitomizing the duo’s ties to the city’s musical scene: post-dub, industrial, club culture. What characterizes Wisecrack is their unique approach, metallic dry beats, a cyber-punk sneering vocalist and a tribal thump that would not feel out of place on Chicago’s legendary Wax Trax Records.
https://mapledeathrecords.bandcamp.com/album/wisecrack
𝑷𝒓𝒊𝒏𝒄𝒆𝒔𝒔 𝑫𝒊𝒇𝒇𝒊𝒄𝒖𝒍𝒕:
Princess Difficult will seduce you into a hypnotic portal of destruction. The femme-producer taps into the elemental; with haunting vocals combined with hard-hitting rhythms, industrial noise and “nose-bleed inducing bass”.
The moniker of Irish artist Clíona Ní Laoi of Avon Terror Corps’ projects Salac & All Times Now Nothing and Irish industrial duo Dreamgirls (along with Rising Damp) who recently played CTM festival 2023 @ Berghain Säule.
https://avonterrorcorps.bandcamp.com/track/plant-mutilation
𝑹𝒊𝒔𝒊𝒏𝒈 𝑫𝒂𝒎𝒑:
Rising Damp is the solo project of Dublin based visual artist Michelle Doyle. Inspired by EBM, goth and punk, Rising Damp brings you on a journey of authoritarian hellscapes, Brutalist stairwells covered in spikes to impale, teens slashing one another for jeans and never having sex ever again with fascists. Your heart will ache and you will die. Also plays in Dreamgirls with Cliona Ni Laoi.
https://risingdamp.bandcamp.com/album/petrol-factory
𝑺𝒂𝒊𝒏𝒕𝒆 𝑴𝒂𝒓𝒊𝒏𝒂:
Sainte Marina is a Paris-based/born Lebanese artist. Her work encompasses visual arts, writing and music. Both producing and djing, she creates ghostly melodies that are floating across dark ambient, experimental, noise & industrial music. Her sets are build as liquid narratives haunted by voices taken from samples ranging from political archives to poetry. Navigating a wide range of emotions and rythms through her sets, she highlights the ever-morphing and watery aspect of our human condition with a lot of intensity.
https://soundcloud.com/saintemarina
𝑫𝒋 𝑫𝒊𝒆 𝑺𝒐𝒐𝒏:
Daisuke Imamura, known as DJ Die Soon, is a Japanese musician, DJ, illustrator and manga
artist based in Berlin, Germany.
Obsessed with horror themes, he creates an artistic universe by weaving demon masks, Manga
and other elements of Japanese culture into his drawings but also into his music, one inducing
the other, either way…
Die Soon’s live concerts, albums, exhibitions and publications are followed by a growing public
attracted by the approach to his original art.
https://drownedbylocals.com/album/cheb-terro-vs-dj-die-soon
𝑬𝒍𝒆𝒇𝒕𝒉𝒆𝒓𝒊𝒂 𝒃2𝒃 𝑩𝒆𝒍𝒂 /djset/:
bela is a performance artist and musician influenced by Korean folk music and club culture, based in Seoul and Berlin. They performed for CTM Festival(2023), Unsound Festival Kraków(2022), Rewire Festival(2022), Cafe OTO, the white hotel, A4 Bratislava and more. bela also played as a DJ at clubs in Seoul, Tokyo, Shanghai and Berlin. They are in residence with the Psychic Liberation event series, having done international radio shows for PL with HÖR and Montez Press Radio. bela is a co-runner of Sorrow Club*: a mixed event series involving music and performance from global acts such as Ana Roxanne, Lucy Liyou, Salamanda and Swan Meat.
https://6314.bandcamp.com/
https://soundcloud.com/eleftheria000
panke.gallery Sound Night 16
Winter is coming, and so is our panke.gallery Sound Night! Escape the gray and join us for a curated evening of live music. Our four acts range from noise to indie folk. We’re excited to see you there!
The event takes place on the 25th of November starting at 20:00:00.
Winter is coming, and so is our panke.gallery Sound Night! Escape the gray and join us for a curated evening of live music. Our four acts range from noise to indie folk. We’re excited to see you there!
Dea Karina is an Indonesian Berlin-based multimedia artist wielding synthesizers, pedals, loopers, and drum machines to forge dense drone/noise/acid soundscapes. Primarily focused on live performances, they also explore the intersection of sound with painting, intermedial processing, and haptic devices for installations.
Fetter makes clubby self-destructing noise pop to dance and weep to. Oscillating between ethereal and pounding, their all-hardware, largely improvised live sets take listeners through a foggy wilderness of saturated rhythms and menacing synth lines, a golden voice guiding the way through. Fetter is the stage moniker of multimedia artist Jess Tucker. Their performances take place in clubs as well as galleries, often incorporating video, installation, and interactive performance art elements to create other-worldly surrounds of mesmerizingly unhinged bodies and faces.
Raised in New Jersey, the early memories of Mezzy Shivers are flooded with deciduous trees and murky rivers, pot-holed highways and flickering street lamps. Her media intake consisted of horror films, bubblegum pop, and fantasy books. As a result, discovering her work is akin to stumbling upon a dark and dreamy rabbit hole. Through the mediums of sound, collage, performance, and writing, Shivers creates an echoing realm of flashbacks and fantasy.
MSHR is an art collective that collaboratively builds and explores sculptural electronic systems. Their performances and installations integrate electrical signals and human presence, weaving dense networks of causality to form audiovisual environments that babble with life-like current. They explore intuitive and technical gradients between sonic and sculptural forms, using analog circuitry and open-source software to sculpt mutually resonant hyperobjects. MSHR was founded by Brenna Murphy and Birch Cooper in 2011 in Portland, Oregon. The name MSHR is a modular acronym designed to hold varied ideas over time. It can be pronounced as an acronym or like one who meshes.
Entry fee: dice roll (random between 2 and 12)
