<verges> explores sonic environments in between multifaceted layers of processed realities. As a study-based investigation into the proximity of unheard and heard it scouts around the sensible and perceptive meadows of human and more-than-human matters.
<verges> project is funded by Musikfonds e.V.
[Gefördert vom Musikfonds e. V. mit Projektmitteln der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen des Sonderprogramms Neustart Kultur. ]
The entrance to the event is free of charge, donations are very welcome.
☜(◙‿◙)☞ http://vrgs.xyz/ ☜(◙‿◙)☞ instagram.com/vrgsvrgs ☜(◙‿◙)☞
Line-up:
Chunks [Broshuda & TIBSLC]
https://soundcloud.com/broshuda
https://soundcloud.com/tibslc
Nancy Drone
http://www.conditional.club/releases/displacement
https://soundcloud.com/nancy-dr0ne
Dilian
https://diliandilian.com
https://soundcloud.com/dilian
Stefanie Egedy
https://stefanieegedy.com
Muqata’a
http://muqataa.com
init.play [Justin & Sn(50)]
https://soundcloud.com/jusnjjshh
https://soundcloud.com/65_4e_3bc_a
Yeahlena
https://soundcloud.com/yeaahlena
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Hybrid film screening by Morgiana Hz
https://soundcloud.com/morgiana_hz
Visuals/Light by:
@vicamezz @lab.parallax
https://vicamez.net
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Artwork by Luna Woelle
Flyerdesign by woe11e + jj
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All performances will be held inside the club, therefore, SARS-CoV-2-HYGIENE CONCEPT of Berlin Senate Department for Culture and Europe applies:
•Evidence of full vaccination or recovery is required to enter the event.
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panke.gallery Sound Night 16
Winter is coming, and so is our panke.gallery Sound Night! Escape the gray and join us for a curated evening of live music. Our four acts range from noise to indie folk. We’re excited to see you there!
The event takes place on the 25th of November starting at 20:00:00.
Winter is coming, and so is our panke.gallery Sound Night! Escape the gray and join us for a curated evening of live music. Our four acts range from noise to indie folk. We’re excited to see you there!
Dea Karina is an Indonesian Berlin-based multimedia artist wielding synthesizers, pedals, loopers, and drum machines to forge dense drone/noise/acid soundscapes. Primarily focused on live performances, they also explore the intersection of sound with painting, intermedial processing, and haptic devices for installations.
Fetter makes clubby self-destructing noise pop to dance and weep to. Oscillating between ethereal and pounding, their all-hardware, largely improvised live sets take listeners through a foggy wilderness of saturated rhythms and menacing synth lines, a golden voice guiding the way through. Fetter is the stage moniker of multimedia artist Jess Tucker. Their performances take place in clubs as well as galleries, often incorporating video, installation, and interactive performance art elements to create other-worldly surrounds of mesmerizingly unhinged bodies and faces.
Raised in New Jersey, the early memories of Mezzy Shivers are flooded with deciduous trees and murky rivers, pot-holed highways and flickering street lamps. Her media intake consisted of horror films, bubblegum pop, and fantasy books. As a result, discovering her work is akin to stumbling upon a dark and dreamy rabbit hole. Through the mediums of sound, collage, performance, and writing, Shivers creates an echoing realm of flashbacks and fantasy.
MSHR is an art collective that collaboratively builds and explores sculptural electronic systems. Their performances and installations integrate electrical signals and human presence, weaving dense networks of causality to form audiovisual environments that babble with life-like current. They explore intuitive and technical gradients between sonic and sculptural forms, using analog circuitry and open-source software to sculpt mutually resonant hyperobjects. MSHR was founded by Brenna Murphy and Birch Cooper in 2011 in Portland, Oregon. The name MSHR is a modular acronym designed to hold varied ideas over time. It can be pronounced as an acronym or like one who meshes.
Entry fee: dice roll (random between 2 and 12)